Asymptote in Philadelphia

On March 29, I hosted the first-ever Asymptote event in Philadelphia. It was part of the journal’s worldwide celebration for its third anniversary and a large and enthusiastic crowd braved the rain on a Saturday night, making for a wonderful time at the Asian Arts Initiative.

Thanks to everyone who attended, and the four readers and musical guest who donated their time! Special thanks to Ann Tetreault of The Spiral Bookcase who did a superb job organizing books sales at the event.

IMG_2094

Author Hilary Plum (They Dragged Them Through the Streets) read a poem by Kym Hyesoon, “My Free Market” (trans. Don Mee Choi), and a new piece of her own fiction, “Cage.”

IMG_2098

Author Ken Kalfus (Equilateral, Pu-239 and Other Russian Fantasies) read in Russian and English a poem by Aleksey Porvin, “A Dark House is Quietly Collapsing” (trans. J. Kates), and from his short story, “Coup de Foudre,” which appears in the April issue of Harper’s.

Seven members of The Philadelphia Women’s Slavic Ensemble sang three songs from Bulgaria and one from Croatia. It was stunning!

IMG_2120

Author Katherine Hill read an excerpt from Clarice Lispector’s Agua Viva (trans. Stefan Tobler), and from her novel, The Violet Hour.

Translator Vincent Kling read a series of excerpts from his 2013 Schlegel-Tieck Prize-winning translation of the late Swiss author Aglaja Veteranyi’s novel, Why the Child is Cooking in the Polenta. (Kling’s translation of Heimito von Doderer’s Die Strudlhofstiege is forthcoming from New York Review Books.)

Ann Tetreault, right, of The Spiral Bookcase provided books by all four authors who appeared at the event.

Preparing for Impossible Books

Just for fun, some photos of the paper, typewriter, and text-in-progress for my collaborative piece for the Impossible Books exhibit. It opens this Friday night at the Philadelphia Sculpture Gym in partnership with Gigantic Sequins. The show will feature works by five pairs of writers and artists. Here’s the Facebook invite.

The Royal used to type up the text donated by writers for the project.

The Royal used to type up the text that writers donated for the project.

The 1,200 foot paper roll.

The 1,200 foot paper roll.

Ready to type.

Ready to type.

Good conditions for typing, though required sitting on the floor.

Good conditions for typing, though required sitting on the floor.

Scroll of text typed up and ready to go.

Scroll of text typed up and ready to go.