Damp & splotchy

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The splotchy thing above is a detail from a finger-painting my son did. He has no idea he created it. He just made it and brought it home from school before disappearing beneath a pile of Legos. I pinned the painting up by my desk at work and there it hung for many months until I noticed the intricate webbings inside the mess, and snapped a photo last week. Not sure why, and I’m probably overthinking it a bit, but it feels like I’m supposed to learn something from that somehow. Or not. I just like it.

Meanwhile, I was very happy in May to have two stories in The Brooklyn Rail. They are both very short stories, and appeared in print and online, so if you need a quick read, they’re on the same webpage. One is about death, and the title even says so: “Particles of Death.” The other is about love and is called “The Breath of Life.” I’m grateful to Donald Breckenridge for publishing them.

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Death, dreams & Dad

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Interfictions, the online journal of the Interstitial Arts Foundation, recently published its sixth issue and it includes a new piece I wrote.

It’s an experimental book review, the third one I’ve done. Part criticism, fiction, and memoir, it’s about all the things a good book shakes loose inside me, which tend to spill out in raw form and later become a short story masquerading as a book review, or vice versa.

The review focuses on Mercè Rodoreda’s new novel, War, So Much War, published in English for the first time by Open Letter Books, translated masterfully from the Catalan by Martha Tennent and Maruxa Relaño, who’ve collaborated on many books together.

Interfictions is a fantastic venue to work for. For one thing, they pay their writers. Which is nice but most of all I’m grateful I got to work with Sofia Samatar, whose editorial guidance made all the difference as this review took shape.

Thanks in advance if you get a chance to read my piece and some of the others at Interfictions–the short stories were chosen by guest editors Carmen Maria Machado and Sam J. Miller. And be sure to check out Rodoreda’s novel! It’s one of my top three books for 2015.